(AR)T Edition of

Analia Saban

I’m inspired by technology and I’m always thinking about how new technologies change the course of Art History.”

– Analia Saban

Analia Saban x ADLAR Studio

Analia Saban dissects and reconfigures traditional notions of painting, often using the medium of paint as the subject itself. Blurring the lines between painting and sculpture, imagery and objecthood, her work frequently includes plays on art historical references and traditions.

  • “I’m inspired by technology and I’m always thinking about how new technologies change the course of Art History. The same way that the introduction of industrial processes, new pigments, or photography has had a deep effect on Art, I’ve been thinking about how crypto, NFTs, virtual and augmented realities will affect the way we make and consume Art.

    It’s been a pleasure to work with Larry, Adam and their staff at ADLAR on how to translate my practice into a new project that incorporates Augmented Reality. Larry’s experience in cutting edge digital AR content creation and Adam’s understanding of the collaborative nature of fine art printmaking makes for a perfect fit for artists like myself who are interested in exploring these mesmerizing emerging technologies.” – Analia Saban

  • Born in 1980 in Buenos Aires, Argentina, Saban currently lives and works in Los Angeles. She received a BFA in Visual Arts from Loyola University in New Orleans in 2001, followed by an MFA in New Genres at the University of California in Los Angeles in 2005.

    Saban’s works are represented in the collections of the Hammer Museum at UCLA, Museum of Contemporary Art, Los Angeles County Museum of Art, and Getty Research Institute, in Los Angeles; Blaffer Art Museum and The Museum of Fine Arts in Houston; San Antonio Museum of Art in San Antonio; Mead Art Museum in Amherst; Albright-Knox Art Gallery and Hessel Museum of Art at Bard College in New York; Norton Museum of Art in Florida; The Israel Museum in Jerusalem; National Gallery of Victoria in Melbourne; Centre Pompidou in Paris; among many others.

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Pleated / Unpleated

Tritone lithograph on Stonehenge paper
20.5 x 20.5 inches (53 x 53 cm)
Edition 100

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