(AR)T Edition of
Matthew Brandt
In Monet Drip, Matthew Brandt explores the complicated paths artworks can take. In this case, a fortune amassed in the oil industry bought this painting and built a museum to house it. It is only fitting that through the magic of ADLAR we have made that painting disappear.
Matthew Brandt x ADLAR Studio
Monet Drip was created in an edition of 76 to reference the year J. Paul Getty dies… and thus the year the J. Paul Getty Trust was bequested $660 million in Getty Oil stock.
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For Matthew’s with ADLAR, we are fully engaging his affinity for site-specific projects and use of innovative materials.
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Matthew Brandt's art (b. 1982) is in the permanent collections of Metropolitan Museum of Art, New York; National Gallery of Art, Washington, DC; J. Paul Getty Museum, Los Angeles; Brooklyn Museum, New York; Art Gallery of South Wales, Sydney, Australia; Virginia Museum of Fine Arts, Richmond; Cincinnati Art Museum; Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Royal Danish Library, National Museum of Photography, Copenhagen; and the Columbus Museum of Art, among others. Matthew Brandt was one of seven artists featured in the 2015 exhibition at the J. Paul Getty Museum, Los Angeles, Light, Paper, Process: Reinventing Photography. A solo exhibition of his work, Sticky/Dusty/Wet, was presented by the Columbus Museum of Art and traveled to the Virginia Museum of Contemporary Art in 2014. Matthew Brandt's first monograph, Lakes and Reservoirs, co-published by Damiani and Yossi Milo Gallery, was released in Fall 2014.
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